Round Table discussions offer insights into important issues from numerous Conciliar Post authors. Authors focus on a specific question or topic and respond with concise and precise summaries of their perspective, allowing readers to engage multiple viewpoints within the scope of one article.
It could be said that, throughout history and even now in the “less enlightened” parts of the world, the cults of the Saints drive not only the practice of Christianity but also speculation (in the older, more revered sense of the term) about Christianity itself. That is, hagiography as such – the vitae Sanctorum – is not a strange collection of bygone myths (in the newer, less revered sense of the term), but the pulse
Yesterday was Ascension Day, which means the Church’s fifty-day Easter celebration is nearing its end. Before we leave it behind for this liturgical year completely, let’s reflect on it one last time. If there is indeed a God, the next logical question is whether that God is knowable to us. And if he is knowable, does he care about us? The Christian tradition provides concrete answers to these questions. He is knowable, “he has spoken
“Whoever sings songs to a heavy heart is like one who takes off a garment on a cold day, and like vinegar on soda” — Proverbs 25:20 (ESV) Grief is miserable. Suffering and loss are perhaps the lowest points of human existence. Nothing compares to the emptiness felt inside after the death of a loved one; nothing can prepare you for the sting of loss. Yet far too often we act as if saying something
I have a complicated relationship with Reformed theology. Growing up, I first encountered Calvinist ideas in early high school. I was floored by the thought that anyone might really embrace a kind of theological “hard determinism,” in which anything could ultimately be causally attributed to God. It took only a little dot-connecting to see the implications: without free will, the Fall itself was an “act of God”… which, it seemed, would inevitably make God the
I want to hold my worth in my hands; to trace my accomplishments in gilded letters on spine and cover; to smell them in ink and paper. But my desire is a dream awakened, and all I can trace are tears of shame, that I have nothing to hold out in offering but empty hands. Empty hands—not clenched fists, angry, or grasping at given gifts; Empty hands, ready to hold another’s, to serve,
For my father’s birthday, I made him a set of bookends that featured the silhouette of a lion. I chose to design the bookends in this fashion because a lion seemed to fit with how I view my father. This reasoning may appear natural to some, and odd to others. Those who deem it odd are probably the more observant. Why should a silhouette of a lion have any connection with my completely human father?
Michael Oakeshott (1901-1990) was an English philosopher of history and an essayist who has always been considered “a bit outside the mainstream of the conservative movement.” It has been said that he was a thinker who went beyond politics. While he remains little discussed by modern conservatives, his writings, particularly on the nature of historical inquiry, remain prescient. Oakeshott may also offer guidance for issues now facing American Christianity, specifically the discussion surrounding the recent
When Calvinists argue against the conceptual validity of libertarian freedom, they undermine their own theology of God. First, let’s clear up some terminology. Libertarian freedom, according to Robert Kane, has two main components: “We believe we have free will when (a) it is ‘up to us’ what we choose from an array of alternative possibilities and (b) the origin or source of our choices and actions is in us and not in anyone or anything
Most “Bible movies” fall into two categories. On the one hand are saccharine, unchallenging films that cater to audiences’ predetermined tastes (anyone who’s ever browsed a megachurch library will immediately recognize the type). On the other are more daring secular takes that inevitably end up sparking some controversy or another (I’m reminded of Darren Aronofsky’s “Noah” and Ridley Scott’s “Exodus: Gods and Kings”). But every year or so, I revisit DreamWorks’ 1998 animated masterpiece “The