When I first arrived at my parish, we put up fresh banners to remind the local neighborhood of our ministry and presence. We thought our new signage needed a slogan, a tagline, so we chose “Open your heart; change your life.” It wasn’t a bad first try. Eventually, we decided upon something a little more humble, hopeful and descriptive of the kind of community we were trying to be. We changed our tagline to “Rooted
Bonaventure’s entire theological project is deeply prayerful, and many of his most famous works are bookended by prayer. This is nowhere more evident than the Itinerarium, which begins by advising souls seeking peace to cry out in prayer, and ends with David’s words from Psalm 73—invoking mystical “passing over” into Christ through death. To read Bonaventure rightly is to stand in humility before God, the immeasurable Creator Whom no one can see and still live.
In Part One of this Pascalian reflection, we considered Pascal’s first step in the path of the spiritual quest. At nearly every point of his Pensées, Pascal goads his readers to pay close attention to the movements of the soul in response to the wonders of the created world. There, he insists, you will find flickers of light, glimmers of reality breaking through the darkness. Those sparks, however, are the beginning, and not the end.
In The Hare with Amber Eyes, Edmund de Waal measures the relative space of a collection of small sculptures. Small. A few inches at most. And though there are 264 of them, they could all be put in an average-sized box and stored away on a shelf somewhere. De Waal recognizes, however, that these wee pieces, called netsuke, take up considerably more space than their actual size. Paraphrasing Lord Digory, they’re bigger on the inside