I want to hold my worth in my hands; to trace my accomplishments in gilded letters on spine and cover; to smell them in ink and paper.   But my desire is a dream awakened, and all I can trace are tears of shame, that I have nothing to hold out in offering but empty hands.   Empty hands—not clenched fists, angry, or grasping at given gifts; Empty hands, ready to hold another’s, to serve,

For my father’s birthday, I made him a set of bookends that featured the silhouette of a lion. I chose to design the bookends in this fashion because a lion seemed to fit with how I view my father. This reasoning may appear natural to some, and odd to others. Those who deem it odd are probably the more observant. Why should a silhouette of a lion have any connection with my completely human father?

Michael Oakeshott (1901-1990) was an English philosopher of history and an essayist who has always been considered “a bit outside the mainstream of the conservative movement.” It has been said that he was a thinker who went beyond politics. While he remains little discussed by modern conservatives, his writings, particularly on the nature of historical inquiry, remain prescient. Oakeshott may also offer guidance for issues now facing American Christianity, specifically the discussion surrounding the recent

When Calvinists argue against the conceptual validity of libertarian freedom, they undermine their own theology of God. First, let’s clear up some terminology. Libertarian freedom, according to Robert Kane, has two main components: “We believe we have free will when (a) it is ‘up to us’ what we choose from an array of alternative possibilities and (b) the origin or source of our choices and actions is in us and not in anyone or anything

Most “Bible movies” fall into two categories. On the one hand are saccharine, unchallenging films that cater to audiences’ predetermined tastes (anyone who’s ever browsed a megachurch library will immediately recognize the type). On the other are more daring secular takes that inevitably end up sparking some controversy or another (I’m reminded of Darren Aronofsky’s “Noah” and Ridley Scott’s “Exodus: Gods and Kings”). But every year or so, I revisit DreamWorks’ 1998 animated masterpiece “The

This is the second article in a series of articles on music with artistic or spiritual significance. Artistically significant musical artists and bands rarely remain static in their craft. With each new album, they utilize new recording techniques, incorporate new instruments, experiment with new musical influences, and push the boundaries of their sound. Notable examples include artists such as Miles Davis who evolved his sound from cool jazz to modal jazz to jazz fusion, being

“What are these churches now if they are not the tombs and sepulchers of God?” – Friedrich Nietzsche One day, while arriving home from middle school, I walked into an uncharacteristically solemn household. Both my mother and father were home, which I thought odd because, due to their work schedules, neither typically arrived before five o’clock. There was a heaviness to the room. My parents sat me down and—with a gentle spirit—explained that my grandmother

The world is charged with the grandeur of God I have always loved the morning. There is something especially moving in the cool fresh air, untainted by the day’s hustle and bustle; there is something so provocative in the dawning of light; there is something reassuring in human quietude and nature’s songs to its Creator. Surely when the psalmists wrote things like: “Oh LORD, our Lord, how majestic is your name in all the earth!”;