“Our two little granddaughters have a sense of community which many adults have lost; people have developed less a sense of community than a loneliness which they attempt to assuage by being with other people constantly, and on a superficial level only…The loneliness, the namelessness of cocktail-party relationships surround us. We meet, but even when we kiss we do not touch. We avoid the responsibility of community.”1       —Madeleine L’Engle   There is

In my previous post, I reflected on some of the answers which have been offered to the “question of suffering,” the query about why there is evil and suffering in the world if there is a good and all-powerful God. In today’s post, I hope to begin crafting an “answer” to this question—not an answer in an absolute sense, but rather an perception and understanding by which we can try to make some sense of

If there is one thing that modern people are surrounded by, it’s music. Radio for the car (if you’re not plugging your phone into the speakers), streaming services for home and office, music piped through coffee shops and shopping centers – it’s not that difficult to live with a steady diet of music. In my own experience, spending the last month and a half in the middle of nowhere highlighted just how much music I

Community. It’s one of today’s popular catch phrases. Thanks to that popularity, though, its meaning is a bit fuzzy. It usually seems to refer to an ideal interaction with others. What that ideal is, though, is hard to pin down. Recently reading Bonhoeffer and Lewis brought additional clarity to this puzzle for me. This clarity came from their comparison of heavenly and hellish forms of community. Bonhoeffer set the stage with the suggestion that, “The

A friend of mine recently commented that he sees too many references to C. S. Lewis and J. R. R. Tolkien in the blogging world. As someone who tries to stay connected to the conversations of the interwebs, I can confirm that there are indeed a plethora of perspectives penned on these great 20th century authors. Indeed, hardly a week goes by without seeing an article evaluating what Lewis would have thought about this, or

My previous post introduced Michael Ward’s Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis,1 in which he argues that the medieval conception of the Seven Heavens serves as the basis for the seven Chronicles of Narnia, with Lewis using the characteristic ethos of each planetary intelligence as the paradigm for his books. In this post, we turn to an explicit consideration of how the evidence of the Chronicles of Narnia fits

Some of my favorite books are the Chronicles of Narnia by C. S. Lewis. While Lewis’s tales of the adventures of the Pevensie children (and later Eustace and Polly) in the land of Narnia are for many little more than entertaining children’s books, I find myself returning to this series again and again. And while I cannot claim to speak on behalf of everyone who has read Chronicles, I know there are many other readers,

The idea for the title came from a striking line in Lewis’ book, The Four Loves, which reads, “The only place outside of Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell.”1 The only safe place from the danger of love is Hell. Lewis’ thoughts might bring to mind my previous post, where we looked at the connection between a focus on self and Hell. The key

An Ancient Remedy for Modern Ills. Some years ago, while visiting my grandparents in the central Pennsylvania mountains, my sisters and I went out for a long walk. It was a brown winter afternoon in a depressed area. We walked along the empty, curving road, remarking on the things we passed: a repair shop with misspelled words on the sign; some goats in a frozen barnyard. Then came the moment that has made me remember

Me miserable! Which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell… (b.4 l.73-75)1 Satan’s lament in Paradise Lost is striking. These lines, and the thoughts behind them, came to mind while perusing A Severe Mercy. A Severe Mercy tells the story of Sheldon Vanauken’s relationship with his wife, Jean. Early on, while explaining some of the ground rules of their relationship, Vanauken records an interesting

Imago Dei. That mysterious reality that humans are created in the image of God. Perhaps you have questioned—internally or verbally—what imago Dei means on an individual level. Do we look like God somehow? Perhaps the things we do image Him. After all, He made us as sub-creators in His world, cultivators in His garden of the earth.   Since Tolkien’s On Fairy Stories, the Christian community has seen sub-creation as one of the chief ways

Vivid memories are stored for numerous reasons – from shock or surprise, to excitement or pain. One such memory of mine is of a friend picking me up for a weekend adventure. Five minutes into our drive, she asked the question that made my hackles rise, “How long do you see yourself working in your current position?” Even now my heart rate increases and my blood pressure rises. I hear her underlying question, “When are