I often enjoy visiting the various Smithsonian museums, particularly the National Museum of Natural History – and this past weekend, I did just that. Yet this time was different: wandering through the Hall of Mammals and into the Hall of Human Origins, surrounded by old fossils and countless instances of the the “millions and millions of years ago” language criticized by some as Darwinian indoctrination, I was abruptly struck by a hitherto-unfelt realization. The aesthetic

The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.

For years I’ve dreaded February as one of the hardest months of the year. Maybe it’s because Christmas cheer is by now a distant fog, or because the weather acts like a hard-bitten old man. Maybe it’s because of inner maladies—winter blues and the like. February was my personal season of spiritual crisis for some time. I recently learned that early February is part of the liturgical season of Epiphany. Not having grown up paying