The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.

As “big, dumb movies” go, the last few “Fast and Furious” films are some of the best – they’re solidly character-driven, and generally pack an emotional heft beyond your average superhero flick. “Furious 7” is no exception: it’s a briskly paced, action-drenched adventure that hits a new high point for the franchise. In a nutshell, the “Fast and Furious” series centers on Dom Toretto (Vin Diesel), Brian O’Conner (Paul Walker), and their team of exceptionally