When I heard of R.C. Sproul’s death, my first impulse was to pray for his family and–since I am no longer Protestant but Catholic–for him. My second was to turn to my mother and say, “R.C. Sproul died two days ago.” Death has a strange, self-assured touch. Everything stops in its tracks, but the fact of it won’t register. Not truly a shock, it is more a suspension, a cessation of movement in the vicinity

Advent Heavy lay the snow the last warm breath just lingering inside our gloves next to fatigue it slowed and chilled me and my brothers toying with a seam at winter’s hem until the cold was far too much we stumbled home and stood like living clouds of steam our thrown scarves garlands for the railing and the chairs Mother I even began to feel afraid when the last light topped its arc those slender

What does it mean to remember well? To remember ethically? These questions are as engaging as they are rare. How often do we think about the ethics of memory? Our default assumption is to portray memory as an objective recollection of details, but that’s a misrepresentation. Memory is a value-laden, subjective, interpretive engagement with the past. History and memory are never objective affairs, but are imbued with significance that has a direct influence on our

The stars all started going out You slowly exhaled. The wind crept, twisting through the sloping grass spanning away beneath miles of power lines. From your mouth, the smoke curled over its own shadows, dull blue on thick white under the moon. “What if the stars all started going out one by one–” I saw filaments crackling their last fits inside glass bulbs–“until they all were dark.” Another slow glow as you took another draw–the

The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.

Vivid memories are stored for numerous reasons – from shock or surprise, to excitement or pain. One such memory of mine is of a friend picking me up for a weekend adventure. Five minutes into our drive, she asked the question that made my hackles rise, “How long do you see yourself working in your current position?” Even now my heart rate increases and my blood pressure rises. I hear her underlying question, “When are