Over the last five years or so, I’ve developed an abiding interest in that most mocked of things: modern art. (Last fall, my long-suffering wife spent about four hours longer in the MoMA than she would’ve liked.) The genesis of that interest was a book I read in law school (thanks to a Conciliar Post recommendation, as it were): Daniel A. Siedell’s God in the Gallery: A Christian Embrace of Modern Art. A few weeks

Today I discuss Daniel A. Siedell’s God in the Gallery, subtitled A Christian Embrace of Modern Art. I realize I may have missed the boat on producing a timely review of this book, as it was published in 2008. However, there are two factors I believe make the book worth revisiting today. The first is Christianity Today critic Alissa Wilkinson’s recent (and highly worthwhile) essay “The Critic’s Job and Why it Matters”, where she reminds