As a filmgoer whose personal tastes run toward the eccentric and the macabre (Guillermo del Toro and Darren Aronofsky are two of my favorite directors), I’ve seen plenty of films that fall into the “horror” or “dark thriller” category. It saddens me that this genre is often written off by persons of faith as crude and crassly exploitative, and I’ve written elsewhere about the fascinating theological implications that lie beneath its grim exterior. Thus, inspired