Begin reading through the New Testament and, in addition to the grand story, you will eventually notice a few things. For one thing, the story of Jesus gets repeated four times, then you hear the story of the early church, and then you begin to read letters that don’t seem to be in any sort of coherent order. Why is the New Testament organized how it is, and not some other way? Why is the

During the Christmas season, this passage from the Nicene Creed regarding our Lord Jesus Christ assumes particular significance: For us and for our salvation he came down from heaven: By the power of the Holy Spirit he became incarnate from the Virgin Mary, and was made man. That Jesus was incarnated (cf. John 1:14) and the means by which it happened (cf. Matthew 1:18-25) are universal Christian truths. And at first glance it also seems

A few weeks ago, I found myself having a fruitful discussion about Christian unity with a nondenominational friend. His concerns echoed many of those voiced by Peter Leithart in The End of Protestantism—fragmentation over comparatively insignificant differences, the mandate of Jesus that his followers be one, and so forth. And I tend to think that many of those observations have force: in a cultural moment where questions of orthodoxy seem less and less bound up

By now, thousands of people have read Anne Helen Petersen’s widely-shared BuzzFeed News article, “How Millennials Became the Burnout Generation.” It’s a well-written article, and one that raises some valid concerns about the future of an enormous demographic. But I can’t help wondering if the phenomenon Petersen is driving at reflects a deeper generational crisis than simply financial instability. At the heart of Petersen’s analysis is a harsh dichotomy between the promise of early millennial

The first time I heard Twenty One Pilots’ “Guns for Hands,” I was hooked. The engaging melody, catchy chorus, and fun beats drew me in. And I soon realized that I was not the only fan of the quirky musical duo. Over the past few years, Twenty One PIlots has skyrocketed to the tops of charts. Their large reception led Rolling Stone to describe them as “the biggest new band of the past year” (referring

In many circles, leadership is a common buzzword. Politicians, company executives, social scientists, pastors, teachers, professionals, generals, people who give TED talks, and seemingly everyone else is talking about leadership—what it means and how it works. I must confess that I too am interested in leadership; from my desk, I count no fewer than six different books with “leader” or “leadership” in their title.1 While I’ve found such books to contain much valuable information, I’ve

This is the first article in a series of articles on music with artistic or spiritual significance. A few months ago, I received a $50 iTunes gift card. Choosing a track or album to purchase on the iTunes store is always a daunting experience. With millions of options available, selecting what to buy can be overwhelming. As a musician, I tire of listening to more and more of the same. With this in mind, I

Praising God and having the goodwill of all the people. And day by day the Lord added to their number those who were being saved (Acts 2:47 NRSV). This is the final article in a series of reflections on the early church as portrayed in Acts 2:41-47. The previous articles in this series are available in the author’s archives. Acts 2:41-47 paints a compelling and attractive portrait of the early Christian church. Founded on the

A Philosophically Conservative Rejoinder to What Is Marriage? What Is Marriage? Man and Woman: A Defense, authored by Ryan T. Anderson, Robert George, and Sherif Girgis, is widely recommended as the foremost defense of “one man/one woman” marriage based on natural law principles. The book has undoubtedly been influential, even to the point of being cited by Supreme Court Justice Samuel Alito in his United States v. Windsor dissent. Significantly, the book does not rely

The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.