As far as I’m concerned, Darren Aronofsky is the best film director working today. The auteur behind movies as diverse as “Pi,” “Requiem for a Dream,” “The Fountain,” “The Wrestler,” “Black Swan,” and “Noah,” Aronofsky creates works that blend surreal imagery, wrenching performances, and complex spiritual motifs. “Mother!,” his latest, is no exception—as Ben Winter recently noted. Indeed, it might be Aronofsky’s most ambitious work yet—and will undoubtedly be the most controversial. It’s impossible to