Most “Bible movies” fall into two categories. On the one hand are saccharine, unchallenging films that cater to audiences’ predetermined tastes (anyone who’s ever browsed a megachurch library will immediately recognize the type). On the other are more daring secular takes that inevitably end up sparking some controversy or another (I’m reminded of Darren Aronofsky’s “Noah” and Ridley Scott’s “Exodus: Gods and Kings”). But every year or so, I revisit DreamWorks’ 1998 animated masterpiece “The