Late last week, I found myself embroiled in a long online conversation with an acquaintance over my review of the recent film “Straight Outta Compton.” The movie, which charts the rise of controversial rap group N.W.A., is a well-made biographical drama that raises challenging questions. It also, as one might expect given the subject matter, contains a good deal of content that will be off-putting to certain viewers (and is undoubtedly inappropriate for audiences beneath
The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.
This is the second post in a series examining what the New Evangelization within Roman Catholicism can learn from the aesthetics of Burke, Kant, and Malick. To read the previous post, click here. This sublime, one should note, is not a kind of masochism. Rather, it is something which catalyzes an awful delight from the passions. On how sensations of pain and pleasure integrate, Burke writes, “The person who grieves, suffers his passion to grow