Artificial intelligence is clearly the menace of the cinematic hour. The old menace posed by the Skynet of the “Terminator” franchise has taken on additional credibility in the era of “big data,” which offers the possibility of algorithmic analysis on a heretofore undreamt-of scale. Alex Garland’s recent thriller “Ex Machina,” however, trades guns for words and explosions for psychological turbulence, raising fundamental questions within a deeply intimate context. “Ex Machina” opens as Caleb Smith (Domhnall

The trailers for “Jupiter Ascending” were works of art. I’ve seen a lot of movie promos, but few have grabbed my attention like the artfully composed teasers for Andy and Lana Wachowski’s latest high-dollar project. Despite disappointing reviews, I figured I’d give it a shot – after all, it looked like a nice distraction in the midst of art-movie season (and bitter New England wintertime). Simply put, “Jupiter Ascending” is a hot mess of a