Jordan Peele’s latest movie, Us, is an intense horror film that confronts issues of duality, identity, sameness, otherness, sin, and judgment, just to name a few. Part of what makes Us so rich is not just its carefully crafted storytelling, but its strategy of navigating weighty topics from different approaches: philosophical, social, psychological, and theological. This makes Us an excellent resource for theological reflection, with theological claims that are as bold as they are relevant.

The All-Encompassing Call of Love The beeps and whirs of surrounding machines and that too-clean smell of the hospital room washed over me as I held my newborn sister for the very first time: my parents’ fifth child and first girl. My mother observed how beautiful it was that we were all present, together as a family, to share in her first moments in the world. Her words made me realize, for what felt like

Most of the reviews I write deal with blockbuster movies, since that’s the type of film I know most readers will be seeing. That said, I also try to make a point of engaging with art that falls outside the domains with which I’m conventionally familiar. Since I happen to already be an Amazon Prime subscriber, I thought I’d give “Transparent” a look (particularly given how much I enjoyed Amazon’s “Mozart In The Jungle,” which

An Ancient Remedy for Modern Ills. Some years ago, while visiting my grandparents in the central Pennsylvania mountains, my sisters and I went out for a long walk. It was a brown winter afternoon in a depressed area. We walked along the empty, curving road, remarking on the things we passed: a repair shop with misspelled words on the sign; some goats in a frozen barnyard. Then came the moment that has made me remember

Me miserable! Which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell… (b.4 l.73-75)1 Satan’s lament in Paradise Lost is striking. These lines, and the thoughts behind them, came to mind while perusing A Severe Mercy. A Severe Mercy tells the story of Sheldon Vanauken’s relationship with his wife, Jean. Early on, while explaining some of the ground rules of their relationship, Vanauken records an interesting