Learning from the Latter-Day Saints, Part I
A few years ago, I was working on a sermon, listening absent-mindedly to hymns on a list generated by YouTube. Deep in my writing, I suddenly became aware that the music floating through the background of my mind was filled with strange and unfamiliar words: If you could hie to Kolob in the twinkling of an eye And then continue onward with that same speed to fly, Do you think that you could ever, through
The Second Exodus
“To him who loves us and freed us from our sins by his blood, and made us to be a kingdom, priests serving his God and Father, to him be glory and dominion forever and ever. Amen. (Revelation 1:5b-6 NRSV).” The book of Revelation contains a series of visions meant to comfort and encourage believers under the heavy hand of persecution. When the author, John of Patmos, introduces himself in Revelation 1:9, he says that
The Refrain of the Kingdom
In the first book, Theophilus, I wrote about all that Jesus did and taught from the beginning until the day when he was taken up to heaven, after giving instructions through the Holy Spirit to the apostles whom he had chosen. After his suffering he presented himself alive to them by many convincing proofs, appearing to them during forty days and speaking about the kingdom of God (Acts 1:1-3 NRSV). In music, a refrain is
Devoted to the Apostles’ Teaching
“They devoted themselves to the apostles’ teaching and fellowship, to the breaking of bread and the prayers (Acts 2:42; NRSV).” Acts 2:41-47 provides us with an important window into the Jerusalem mother church, the source of all holy, catholic, and apostolic churches in the world today. Given that nearly 2,000 years have passed since the day of Pentecost, modern Christians do well whenever they re-investigate the roots of their own faith and practices. When we
Modern Witness
“Greater love has no one than this: to lay down one’s life for one’s friends.” (John 15:13).1 One of my favorite operas is called the Dialogues of the Carmelites, which was composed by Francis Poulenc. The opera is an adaptation of a true life story of the Martyrs of Compiègne, members of a Roman Catholic order of nuns who were killed during the French Revolution of the late 18th Century. The story follows a young