About three years ago I was scrolling through my YouTube recommendations feed, looking for new and interesting videos. Since I regularly view biblical and theological content, my feed often contains helpful resources (along with videos on college football or live music). As I scrolled, one particular video thumbnail caught my attention. The thumbnail contained an aesthetically pleasing animated image of Job. I clicked on the video and had my first exposure to The Bible Project.

With the arrival of Disney+, my family and I have been binging Marvel’s Infinity Saga films, beginning with Iron Man and culminating in last year’s mega-blockbuster Avengers: Endgame. I only saw it once in the theater and while I immediately formed a positive opinion of the capstone movie (up to this point) of the Marvel Cinematic Universe, I typically try to reserve final judgement of a film until I have watched it at least twice.

Ken Ham and I are tight. By that, I mean that I’ve never met him, but I’ve seen him speak multiple times, read a lot of what he’s written, and I’ve visited him (well, I went to the Creation Museum several times). Maybe I’m more of a Ken Ham stalker than anything else. Regardless, over my formative years I became rather familiar with his brand of Young Earth Creationism (YEC)1 in the Christian elementary and

John Dupré was, at the time of this book’s writing, a philosopher of science at Stanford University (now at the University of Exeter) and was part of the so-called Stanford School of the philosophy of science. This book targets ‘imperialistic scientism,’ which Dupré defines as “the tendency for a successful scientific idea to be applied far beyond its original home, and generally with decreasing success the more its application is expanded” (16). Thesis The thesis

Earlier this month, eight bishops in the United Methodist Church—the largest mainline Protestant denomination in the country—called for a denominational split. The statement from the bishops laments the “brokenness” of United Methodism. Per the authors of the statement, the animating issues relate to LGBTQ+-identifying clergy, the performance of same-gender weddings, and broader questions of human sexuality and gender. Paradoxically, the bishops place a positive spin on the whole ordeal, calling for multiple “expressions” of the

Whether we’re talking about churches, universities, or office buildings, in almost every case I’m a staunch defender of architectural classicism. To my mind, the built environment should be more beautiful than dated “modernist” rectangles, grungy Brutalist monstrosities, or deranged postmodern creations: it’s not hard to intuit that there are certain forms that comport with our deepest aesthetic convictions (as traced by Nikos Salingaros in his magisterial Twelve Lectures on Architecture: Algorithmic Sustainable Design). Give me

Here at Conciliar Post, many of our authors are avid readers. Below are some of the books we’ve been reading in 2019 along with a short review for each one. Feel free to join the conversation and offer your recommended readings. John Ehrett, Lutheran Restoring the Soul of the University: Unifying Christian Higher Education in a Fragmented Age (Perry L. Glanzer, Nathan F. Alleman & Todd C. Ream) The authors—professors at Christian universities—lay out a

Randall J. Stephens. The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ‘n’ Roll. Cambridge, MA: Harvard University Press, 2018. 337 pp. Hbk. ISBN 9780674980846.   Introduction Last year saw the publication of two landmark books about Christians and rock music: Gregory Alan Thornbury’s Why Should the Devil Have All the Good Music? Larry Norman and the Perils of Christian Rock (New York: Convergent) and Randall J. Stephens’s The Devil’s Music. The works complement