The basic meaning of the verb ‘to reveal’ is something like, ‘to make known, to disclose, to bring to attention, to lay open.’ There are a couple of ways that we use the term, one obvious, the other a bit more subtle. Take, for example, the sentence, “the clouds drifted eastward, revealing the full brilliance of the sun.” That’s the typical way we use the word. Something hidden becomes manifest; something unclear is shown more
In dark moments, I have sometimes wondered whether, when disaster struck, I might lose my faith. Perhaps my God of unbounded kindness would fall away in the face of crisis—shown to be phantom conjured up by an over-hopeful imagination—sand leave me alone in the universe. Yet as it has turned out, the real danger was of this God morphing into a god of wrath, his face twisting into stern, unfamiliar expressions. In this midst of
There are four Cardinal Virtues and seven Deadly Sins. But both lists seem to be missing something huge. Solving this puzzle might actually help us make the world a better place.
About an hour into a conversation with a friend, we began discussing the death of Lazarus and Jesus weeping with Mary. Jesus had purposely waited to come to his friends that he might glorify the Father through the resurrection of Lazarus. Jesus said to Martha, “I myself am the resurrection and the life.” He knew he was about to push death right out of a man, to make him what he should be: fully alive.
“Yeah, what kind of monster would allow a German scientist to experiment on him to protect his country?” “We’re not at war.” “They are.” And with one short exchange, Age of Ultron immediately signaled something new and powerful; at least in this one instance, the enemy is a friend. Quicksilver and Scarlet Witch are the Captain America of another nation, a nation just as valuable as our own, a nation filled with loves, hates, fears,
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep
The latest confoundingly creative masterpiece from veteran Pixar director Pete Docter (“Up”) is a magnificent achievement. It’s by far the best film Pixar has made since “Toy Story 3”: for the sheer scope of its vision and the genius of its execution, “Inside Out” is unmatched in Pixar’s pantheon. Ostensibly centered on 11-year-old girl Riley Anderson’s psychological turmoil after moving from Minnesota to San Francisco, “Inside Out” emphasizes the reciprocal relationships between her anthropomorphized emotions.
Seven years ago, some of my friends got into a bit of a dispute with the powers-that-be at my college. (I have been told I have a gift for understatement). The nature of the dispute was incredibly personal, of the sort that is impossible to bring to anyone’s attention without making oneself intensely vulnerable. Talking to the dean of student life meant opening up to her judgment and allowing her to see things that were