For my father’s birthday, I made him a set of bookends that featured the silhouette of a lion. I chose to design the bookends in this fashion because a lion seemed to fit with how I view my father. This reasoning may appear natural to some, and odd to others. Those who deem it odd are probably the more observant. Why should a silhouette of a lion have any connection with my completely human father?
In his post, “Does Experience Affect our Theology?” Peter Enns briefly speculates about the role of experience in the formation of theology. He concludes with this point, “We have to be willing to rethink who this God is, this God who isn’t as predictable as we might think.” This is a principle C.S. Lewis illustrates when it is said of Aslan: “He isn’t safe. But he’s good.” Christians should avoid feeling too comfortable with their
The first time I met a lion in the flesh was on a playground in suburban Nashville. I must have been only five or six years old when the enormous golden cougar peered out from its perch on the edge of the little park, its lithe, muscular body stretching out behind its curious face. Next to it was another feline comrade, an exotic, ebony-black wildcat, lying gracefully alongside the more familiar mountain lion. As would
In a recent interview with The Telmarine Times, award-winning scientist and disgruntled Black Dwarf, Richikins, declared the resurrection of Aslan at the Stone Table “an impossibility, a silly load of you-know-what the size of a satyr, a myth for small-minded-fluff-for-brains nincompoops like Fauns and Giants.” He continued, “It is clearly a violation of nature to arise from the dead. I have personally squashed hundreds of bugs in my little dwarf hands and studied them for
“But what would have been the good?” Aslan said nothing. “You mean,” said Lucy rather faintly, “that it would have turned out all right – somehow? But how? Please, Aslan! Am I not to know?” “To know what would have happened, child?” said Aslan. “No. Nobody is ever told that.” “Oh dear,” said Lucy. “But anyone can find out what will happen,” said Aslan. “If you go back to the others now, and wake them
My previous post introduced Michael Ward’s Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis,1 in which he argues that the medieval conception of the Seven Heavens serves as the basis for the seven Chronicles of Narnia, with Lewis using the characteristic ethos of each planetary intelligence as the paradigm for his books. In this post, we turn to an explicit consideration of how the evidence of the Chronicles of Narnia fits