Note: This review does not spoil key plot points. The Florida Project was the best film of 2017. I have been waiting for some time to write my review; the gravity of this film’s message demanded both multiple viewings and careful reflection. I can now say that Sean Baker has put together a magnificent and enduring work of art. The Florida Project is a gritty take on the elusivity and hollowness of the American dream.

The trailers for “Jupiter Ascending” were works of art. I’ve seen a lot of movie promos, but few have grabbed my attention like the artfully composed teasers for Andy and Lana Wachowski’s latest high-dollar project. Despite disappointing reviews, I figured I’d give it a shot – after all, it looked like a nice distraction in the midst of art-movie season (and bitter New England wintertime). Simply put, “Jupiter Ascending” is a hot mess of a

Clint Eastwood’s biographical study of Navy SEAL Chris Kyle – a sniper credited with over 160 confirmed kills, the most in U.S. military history – will likely be remembered as the “Saving Private Ryan” of the Iraq War. This will undoubtedly seem high praise for a film which just opened in wide release: “American Sniper,” however, not only offers an exceptional character study, but brilliantly captures the conflicted cultural ethos surrounding a war to which