The marketing materials for “The Revenant” have pitched the movie as a Canadian-wilderness revenge drama starring Leonardo DiCaprio, who gets smashed around by a gigantic bear. And while that’s all entirely accurate, “The Revenant” aspires to be something more – a haunting glimpse of alien northern landscapes untouched by human hands, within which a lone survivor must come to terms with both his own mortality and his own insignificance. In the capable hands of director

As a filmgoer whose personal tastes run toward the eccentric and the macabre (Guillermo del Toro and Darren Aronofsky are two of my favorite directors), I’ve seen plenty of films that fall into the “horror” or “dark thriller” category. It saddens me that this genre is often written off by persons of faith as crude and crassly exploitative, and I’ve written elsewhere about the fascinating theological implications that lie beneath its grim exterior. Thus, inspired

Some thoughts are too big for fiction and movies. I was thinking that when I watched God is Not Dead for the first time a few weeks ago. Yes, I put it off for as long as I possibly could. As much as I like to support Christian films (I am a film script writer, after all), I find that I cringe my way through many of them. Though there were some commendable points to