Silence is a sort of nothingness. In spite of this, silence often possesses a variety of qualities. We may experience the angry silence of a hurt loved one, the peaceful silence of the person at rest, or the patient silence of a watcher. The silence of persons turns out to be something. It may be a lack of sound, but it is filled by the quality of a human person.[1] Humans spend much of their

This article is not so much a film critique as it is an attempt to extract some ultimate meaning from this popular flick.  I do not attend the theatre as often as I would like or can afford, but when I do I find myself constantly trying to perceive applicability to real life from what I see on screen.  I am fascinated and beguiled by the world of visual narrative, and I believe we are

Artificial intelligence is clearly the menace of the cinematic hour. The old menace posed by the Skynet of the “Terminator” franchise has taken on additional credibility in the era of “big data,” which offers the possibility of algorithmic analysis on a heretofore undreamt-of scale. Alex Garland’s recent thriller “Ex Machina,” however, trades guns for words and explosions for psychological turbulence, raising fundamental questions within a deeply intimate context. “Ex Machina” opens as Caleb Smith (Domhnall

The Corpuscular Cosmos of the Early Modern Philosophers Now the “strictly mathematical and materialist conception of the natural order the early moderns bequeathed to us,” that Edward Feser mentioned in my first paper, refers to the mechanical philosophers. Take the case of Rene Descartes: in his mechanics, he argues that if a person knew enough, he should be able to reduce chemistry and biology to mechanics. The process of how a seed develops into an