In recent years and months it has become undeniable that the foremost social issues pervading our culture involve personhood and identity. The transgender debate is the most obvious manifestation of this. But the broader, or perhaps underlying, debate of how personhood is to be defined is rapidly expanding beyond gender neutral bathrooms at Target. Indeed, even rivers are being declared ‘persons’. And it is becoming evident that technology will be interwoven into these questions, or
I. Introduction This article has been percolating for a very long time. Hardly a day goes by that I don’t reflect on how my faith intersects with the evolving American public sphere, and I’ve probably spent more time writing and rewriting this review than just about anything I’ve worked on in the last couple of years. Plainly, American Christianity stands at a cultural crossroads. And with the release of The Benedict Option: A Strategy for
We live in a world that has been so radically developed by technology that we can interact with those on the other side of the globe in an instant. Our cultures have become so amalgamated through the globalizing effect of this technology within the realms of pop culture, social media, consumerist marketing, and the like, that we are able to find much common ground with those who are in a totally different cultural and geographical
Questions of an ethical nature dominate headlines, classrooms, and pulpits across the world. In an era where formulations of morality often spring from what “feels right” rather than any sort of foundational principles, many commentators have rightly noted the necessity of carefully considered ethics.1 For contemporary Christians, ethical thought remains clouded by ongoing disagreements about from where our moral systems arise and how authoritative those sources are in a technologically advanced world of complexity and
Artificial intelligence is clearly the menace of the cinematic hour. The old menace posed by the Skynet of the “Terminator” franchise has taken on additional credibility in the era of “big data,” which offers the possibility of algorithmic analysis on a heretofore undreamt-of scale. Alex Garland’s recent thriller “Ex Machina,” however, trades guns for words and explosions for psychological turbulence, raising fundamental questions within a deeply intimate context. “Ex Machina” opens as Caleb Smith (Domhnall
Few movie stars are more ubiquitously typecast than Benedict Cumberbatch, whose rise to cultural prominence has been nothing short of meteoric. Cumberbatch is now a go-to star for directors seeking a genius or supervillain, coupling a certain aristocratic British charm with a Sheldon Cooperesque tendency to hold average society in utter contempt. “The Imitation Game,” in which Cumberbatch stars as cryptologist and early computer engineer Alan Turing, capitalizes on these strengths while simultaneously probing deeper.
For my birthday, a group of Conciliar Post writers banded together for a brilliant round table discussion on the imago dei. Okay, it was coincidentally on my birthday, not in celebration of it. The round table is a fantastic piece that I commend to your reading. In an unusual twist for the internet, the comments section is also full of edifying dialogue. You should go read all of it and come back. I’m not here
You say grace before meals. All right. But I say grace before the concert and the opera, And grace before the play and pantomime, And grace before I open a book, And grace before sketching, painting, Swimming, fencing, boxing, walking, playing, dancing; And grace before I dip the pen in the ink.1 ―G.K. Chesterton Yesterday I woke to a pink, cloud-studded sky. I smiled at the rose-grey dawn and pulled the blankets a