As far as I’m concerned, Darren Aronofsky is the best film director working today. The auteur behind movies as diverse as “Pi,” “Requiem for a Dream,” “The Fountain,” “The Wrestler,” “Black Swan,” and “Noah,” Aronofsky creates works that blend surreal imagery, wrenching performances, and complex spiritual motifs. “Mother!,” his latest, is no exception—as Ben Winter recently noted. Indeed, it might be Aronofsky’s most ambitious work yet—and will undoubtedly be the most controversial. It’s impossible to
If “God so loved the world” (John 3:16) and “desires that all be saved” (2 Tim 2:4), how are Christians to make sense of hell? Is hell undoubtedly eternal (as passages like Matt 25:41 suggest), or is it possible that God’s Love will eventually conquer even the staunchest of resisting wills? What is the role of doctrine about hell in living the Christian life, in training new Christians, or in proclaiming the Gospel? Today our
The night skies sing the glory of God! Dark and light, clouds and constellations are crafted by his deft hands. Daily they declaim, night upon night they raise a chorus of praise. Even though our ears cannot hear their speeches and symphonies, Still their message of God’s glory and splendour has filled Every crevice and crack in all of the cosmos. Thus I paraphrased the opening verses of Psalm 19 a few weeks ago.
Yet again the eaves are drip-drip-dropping, and thunder throbs above the clouds. Rain scent falls, hushes the neighbour children, breathes its sweetness in at my open windowpane. Pattering droplets sing their song slowly today, and my heart is glad. Glad for slow rain to cool the day. For dark clouds brooding over the mountains, so I might see their creases and lines differently, like an ever-changing face on those long-standing rocks. If you ask me,